40 Minutes
40 Minutes is a collaboration with Janet Smith, choreographer and Artistic Director at the Scottish Dance Theatre, 1997-2012.
The work was inspired by the New York Grand Central Station’s oral history project where a sound booth was placed in the station to record information from people’s lives for 40 continuous minutes. Scottish Dance Theatre’s 40 Minutes investigates the information and memories people choose to reveal from years of life experience within this specific time frame.
40 Minutes was a touring dance production for the Scottish Dance Theatre.
Choreographer – Janet Smith
Video Artist - Pernille Spence
Composer - Christopher Benstead
40 Minutes
40 Minutes is a collaboration with Janet Smith, choreographer and Artistic Director at the Scottish Dance Theatre, 1997-2012.
The work was inspired by the New York Grand Central Station’s oral history project where a sound booth was placed in the station to record information from people’s lives for 40 continuous minutes. Scottish Dance Theatre’s 40 Minutes investigates the information and memories people choose to reveal from years of life experience within this specific time frame.
40 Minutes was a touring dance production for the Scottish Dance Theatre.
Choreographer – Janet Smith
Video Artist - Pernille Spence
Composer - Christopher Benstead
NaCl
NaCl is a performance that explores ideas around the failing body in a society where we are living longer.
In an extreme attempt at preservation, the body was buried in over one ton of salt. Salt (NaCl) was specifically chosen as it has been a vital part of medicine for thousands of years, often used for healing purposes, as well as being one of the earliest used minerals for preservation purposes. Throughout history salt has often symbolised life itself. The body’s basic physiological functions depend on a balance between salts and liquids in the body. In NaCl, the constant shower of salt gives the appearance of a spiritual, ritual healing but in reality, as it builds up around the body, it immediately begins to draw the body’s fluids to the surface until eventually all life is sucked from the disappearing figure.
Devised, performed & edited by Pernille Spence
Camera by Gregg Allen, Stewart Petri & Anna McLauchlan