40 Minutes
40 Minutes is a collaboration with Janet Smith, choreographer and Artistic Director at the Scottish Dance Theatre, 1997-2012.
The work was inspired by the New York Grand Central Station’s oral history project where a sound booth was placed in the station to record information from people’s lives for 40 continuous minutes. Scottish Dance Theatre’s 40 Minutes investigates the information and memories people choose to reveal from years of life experience within this specific time frame.
40 Minutes was a touring dance production for the Scottish Dance Theatre.
Choreographer – Janet Smith
Video Artist - Pernille Spence
Composer - Christopher Benstead
40 Minutes
40 Minutes is a collaboration with Janet Smith, choreographer and Artistic Director at the Scottish Dance Theatre, 1997-2012.
The work was inspired by the New York Grand Central Station’s oral history project where a sound booth was placed in the station to record information from people’s lives for 40 continuous minutes. Scottish Dance Theatre’s 40 Minutes investigates the information and memories people choose to reveal from years of life experience within this specific time frame.
40 Minutes was a touring dance production for the Scottish Dance Theatre.
Choreographer – Janet Smith
Video Artist - Pernille Spence
Composer - Christopher Benstead
Not My Tomorrow
Not My Tomorrow was a 4 day durational performance based on personal accounts, texts and poetry from those that have had their freedom taken away – where the power to influence their own fate rests in the hands of others. Although there are many situations where this can happen, I focused on prisoners of conscience (recent & current). Many of the names gathered for Not My Tomorrow were/are imprisoned because of their creative pursuits such as artists, writers, poets, filmmakers and musicians.
For 14 hours each day I was confined to a 1m square/1.8m high glass box where each panel of glass was painted an opaque black. Over the 4 days I scratched the names of these prisoners of conscience into the paint and the reasons for their arrest. The duration of each sentence was gradually revealed through the use of tally mark scratches. Interspersed were short texts relating to experiences of such extreme confinement. As the marks on the glass panels grew, the light from inside the box began to spill out, lighting up the darkened gallery space.
Not My Tomorrow was a commission for the Cupar Arts Festival 2013.